Demon Head is comprised of five internationally based and widely acclaimed musicians; Mikkel Sander Fuglsang, Birk Gjerlufsen Nielsen, Marcus Ferreira Larsen, Thor Gjerlufsen Nielsen and Jeppe Wittus. Though hesitant to compromise the description of the music they perform through generalizing terms of genre, they’ve coined the term “diabolic rock” as an appropriate presentation.
he production shows the impeccable qualities of joined forces, where old techniques meet new aesthetics, and major label possibilities meet underground, uncompromising DIY dedication. The resulting 10 songs showcase acoustic instruments, flourishing mellotron strings, brass instruments, tape manipulation and church organ – displayed in equal measure to the sound of the crushing drums of J.W, cryptic guitars of brothers B.G.N and T.G.N, pounding bass lines of M.S.F, and the vocals of M.F.L combined with the eerily captivating falsetto and baryton of B.G.N.
Bongzilla formed sometime in 1995 in Wisconsin, quickly composing a host of songs inspired by their marijuana. Very little is known about the early years of the band except for their appearances on a host of split and EP releases between 1996 and 1999.
They ended up signing to Relapse Records, releasing 2 LPs on the label. A lineup change prompted one Dixie Dave Collins to join the band as their bassist, leading them to record the band’s fourth album. Amerijuanican was released via Relapse on 27 September 2005 to positive reviews and featured a cover of “Champagne and Reefer” by Muddy Waters. The band toured and remained active until 2009 when the group quietly took a hiatus, their last known show being Forward Fest alongside the likes of Bob Mould, Detroit Cobras and Neko Case to name a few.
Bongzilla began 2017 with a local show in Wisconsin before embarking on another European tour, playing the likes of Roadburn Festival, DesertFest Berlin, DesertFest London, KrisionFest.
Bongzilla have also set course for a 2018 European tour with Dopethrone and Sons of Otis. In early 2020, Bongzilla started their own label called Gungeon Records and released a re-issue of their classic album Apogee.
However, in March of 2020 it would be announced that Cooter Brown would retire from the band due to health and family reasons, with Bongzilla choosing to continue as a thunderous three-piece. During Bongzilla’s first tour as a thunderous three in March of 2020, the tour was cut short due to the coronavirus pandemic. A few months into the pandemic, Bongzilla began rehearsing and recording for several different record projects – A limited Wake Brewing 7 inch, a full length album titled Weedsconsin, an LP split with the band Tons, and a 7 Inch Split with Boris, the first of a 7 inch Split Series released on Gungeon Records.
Bongzilla announced signing to the Italian label – Heavy Psych Sounds on Janurary 21st of 2021. Bongzilla is preparing for the release of their new full length album Weedsconsin, as well as a limited 7 Inch from Wake Brewing, followed by the Bongzilla / Tons Split for the HPS series – Doom Sessions, as well as the 7 inch split with Boris on Gungeon Records.
Tons formed in 2009 with members of hardcore bands from the Turin scene (The Redrum, Lama Tematica and NoInfo). Slow and heavy sounds take the place of the frenetic HC rhythms; the texts speak about weed in an ironic way, but also about a certain tendency to esotericism that characterizes the city of Turin.
In 2010 they recorded a demo and in 2012 the first full length “Musineè Doom Session”, recorded by Danilo “Dano” Battocchio, was released for the Turin-based Escape From Today and for the Roman Heavy Psych Sounds. In 2013 a split with Lento from Rome came out and Tons began to plow the European venues, opening the stage for bands like Bongzilla, Unsane, Church of Misery, Napalm Death, Pentagram etc …..
In 2014 they were invited to play at the Duna Jam in Sardinia and at the Incubate Fest in Tillburg (NL). In 2015 the drummer Marco Dinocco left the band and was replaced by Andrea Peracchia (Dogs for Breakfast/Slaiver). Paolo Paganelli (Woptime/Linea77) was also added as a solo guitarist. In 2018 the second full length of the band “Filthy Flowers of Doom” was released for Heavy Psych Sounds Rec., which would bring Tons again around Europe in 2018 and in 2019.
No superlatives, no exaggerations. Dÿse is what Dÿse is.
The band Dÿse is a duo consisting of Andrej Dietrich (guitar, vocals) and Jarii van Gohl (drums, vocals), originally established in Amsterdam in 2003. There they released their first single “Honig”. The release was also the starting shot for the success story of an East German band, whose energetic shows in Europe and Asia established the name Dÿse as a trademark for authentic and innovative music to this day.
A band, whose music and live performance wins people over. The sound of Dÿse is recognizable by dynamic rhythms and hearty guitar riffs. Unconventional songwriting and stop & go arrangements are also typical for Dÿse. Rather than using a music genre Dÿse focuses on producing their own sound: always cross-genre, loud, soft, fast, slow, surprising, fresh and above all: always uncompromising.
Modecenter serve a dose of highly effective European crisis-rock. Hannes Gruber, Dieter Kienast und Michael Schneeberger dig into the raw musical energy of both minimalistic and megalomaniac noisy post-punk that doesn’t want to be held back by any set beliefs or ideologies.
Instead of a comfortable place in the line at your local wholefoods store you get a punch to the face for looking away for too long.
Release the… eeehmm… Kraken? Or are we talking about another gigantic cosmic creature both divine and demonic whose arrival means the end of the world as we know it? Well, maybe.
Long story short… whatever you may interpret into Tentacula… The name is their program! And this mystical neologism keeps its promise: Dark, reverb-drenched melodies and haunting riffs create a refreshing blend, somewhere between dreamy psychedelic- and dirty garage-rock. Spiced up with the captivating and seductive voice of the Queen of Darkness herself, who summons the gods of Liquid Thunder with her fellow cultists. This is going to be another intense ritual!
While the Necronomicon does not have an entry about Tentacula yet, they chose to write their own history: After their 2019 debut Tentaculove, they’re now back with their highly anticipated second album „Estrella Destruida“ which consists of eight songs that once again show their unique way of merging styles that normally would not go together and also highlights the band’s fascination for Italo Western movies and their epic soundtracks. It’s darker and deeper than its predecessor and might very well devour you whole…
And in case you wondered: the Artwork for „Estrella Destruida“ is by none less than APLACEFORTOM the author of the book and the founder of THE RAW STUFF who has also drawn a graphic novel to go along with the record.
Austrian subculture is ALIVE and people indentify with the artists running the scenes and the attitude they stand for. At the borders of the national music scene artists from related professions started to make a living with works for touring bands, venues and promoters and are now well-know side acts to local events and even international acts from Rock, Pop-Punk, Indie and Metal.
Acts like Pearl Jam, Blink-182, Pixies, Mastodon, NOFX, Elder, Texta, Wanda, Voodoo Jürgens and others and well-established festivals like Lake on Fire Festival uses the help of those artists presenting their stuff in the right light and push themselves on another level.
Now, it is time to celebrate these artists with a collection of their best works, stuffed together on 264 pages.
CHRIZAO With a deep history of comic fanatism in his family, Chri extended his style range from traditional illustration to his outstanding digital coloured pencil drawings which always keep an eye on a manga-esque behaviour and trippy appearance.
Moon Woman is a versatile, four-headed formation from Innsbruck, Austria, that shines with an atmospheric merging of blues, psychedelic and heavy rock. Besides thick riffs and heavy drums, the base of their sound stays groovy, dynamic and airy. Digging deep in their foundation, influences like The Doors, Peter Green-era Fleetwood Mac and more contemporary artists like All Them Witches come to light.
You would think, that Belzebong was forged in lava-filled bowels of hell, but you would be mistaken, it was actually Poland. Started off in 2008, since then bringing tons of evil weedian riffage under the sign of the Goat. The band drowns themselves in a sea of distortion, fuzz and enough bottom-end to cure the worst case of constipation – in other words this music will make you shit.
Their album “Sonic Scapes & Weedy Grooves” released on Emetic records was a wicked trip down the hazy and introspective fuzziness associated with a massive blast to the lungs. Followed by “Dungeon Vultures” 12″ EP on Instant Classic label (re-released by Emetic records), brought yet another dimension of acid-heavy trip through the smoky dungeons. Latest album entitled “Greenferno” (again on Emetic Records) sounds akin to a giant walking the earth, simply moving things aside without noticing.
Headbonging and smokediving they traveled through the vast majority of Europe, visited US and South America as well. True evil blues this band has summoned, and you the listener, shall reap their rewards, as the new album is coming! belzebong.bandcamp.com
Raw Rock-n-Roll simplicity, stunning riffs, and electric haze; this is Nightstalker. Don’t try to label Nightstalker, it only makes them mad. Over the years they’ve been saddled with every label under the sun. In the 90’s it was grunge… Then it was Stoner Rock… And never try to call them a ‘Greek Rock act’ either. They play Rock music, plain and simple, and have been doing so to rave reviews for the past three decades. Nightstalker are a powerhouse that after 8 releases and over 500 worldwide shows, continue to stand at the forefront of the European hard-rock scene.
The most recent of Nightstalker’s 3-decade conquest has seen the band turn things up a notch, with the release of albums ‘Dead Rock Commandos’ in 2012, ‘As Above, So Below’ in 2016, and most recently ‘Great Hallucinations’ in 2019. And while the worldwide pandemic doesn’t currently allow, Nightstalker look forward to getting back on road to continue touring extensively; a medium that since day one has been at the forefront of Nightstalker’s musical language, a celebration of all things loud.
Swedish power trio MONOLORD return with their highly anticipated new album, Your Time to Shine. Recorded by MONOLORD drummer Esben Willems at Studio Berserk, Your Time to Shine sees the trio looking inward, cultivating the elements that take their monstrous, heavy riffing to new heights with a darker edge. A five-track journey that spans across crushing doom rock to more spacey, groove laden opuses, Your Time to Shine is MONOLORD at their most unfiltered and focused.
Out of the gate, MONOLORD kick-off a wild ride with the soaring, fist-raising opener “The Weary” and its insanely catchy melodies. Elsewhere, the stop/start switch between sweetness and abrasiveness of “To Each Their Own” showcases a new element to the band’s repertoire. MONOLORD embraces the power of the riff with pulsating chugs on “I’ll Be Damned” and the mind-expanding title-track, whose final section brings back some of the band’s spaced-out rock n’ roll beginnings. Everything culminates in their new epic, “The Siren Of Yersinia”, whose lonesome call can be heard in each feedback-ridden note and in each pained, buried vocal line
Your Time to Shine is yet another turn for MONOLORD. While the band clearly stays on “Riff Street”, they are poised to find darker avenues.
Blackwater Holylight, as the name suggests, is all about contrasts. It’s a fluid convergence of sound that’s heavy, psychedelic, melodic, terrifying and beautiful all at once.
As a heavy band, their songs aren’t anchored to riffs, but rather riffs come and go in waves that surface throughout the band’s meditative, entrancing songs. It’s a hypnotic sound, with orchestral structures that often build tension and intrigue before turning the song on its head — not by simply getting louder or heavier, nor by just layering elements. They expertly subvert the implied heaviness of a part, dissecting it and splaying the songs guts out to seep across the sonic spectrum.
Their live set is all about the slow build, seeming to combine the melodic tension of early Sonic Youth crossed with the laconic fever-dream blues of the first Black Sabbath album, and wiry experimentation of post-punk and krautrock.
The multinational Heavy Rock Megalith from Stockholm LUCIFER is defined by their very heavy 1970s hard rock sound spiced with a good dose of Proto Heavy Metal and Doom Rock.
Main influences include groups such as Black Sabbath, Pentagram, Blue Öyster Cult, 70’s Heart & Fleetwood Mac.
With nearly 200 shows under their belt Lucifer has toured the US, Canada, Japan and Europe multiple times and played renowned international festivals like The Kiss Kruise, Psycho Las Vegas, Hellfest, MetalDays, Sweden Rock, Desertfest, the long standing German cult TV program Rockapalast twice, to name only but a few. Founded in 2014 in Berlin by The Oath front woman Johanna Sadonis, the group first consisted of Cathedral, Angel Witch and Ladytron members. The debut album “Lucifer I”, penned by Johanna and Cathedra’s Garry Jennings and released by British label Rise Above Records, brought LUCIFER international recognition.
With a shift of constellation within the band in 2016 and Johanna Sadonis’ move from Berlin to Stockholm, LUCIFER were ready for chapter two. In Nicke Andersson, notable for his groups The Hellacopters, Entombed, Imperial State Electric, Death Breath among others, Johanna found a new renowned writing partner. Now signed to Century Media/Sony Music, Johanna and Nicke wrote and produced the albums “Lucifer II” and “Lucifer III” at Nicke’s studio The Honk Palace in Stockholm which both jolted LUCIFER into the Swedish, German, British and American charts and earned them several nominations such as Best Hard Rock/Metal album by renowned Swedish Radio Price P3, Hard Rock/Metal act of the year by Gaffa Price as well as a Swedish Grammy in the category Hard Rock/Metal. In between albums LUCIFER has released multiple outstanding stand-alone singles that have quickly become sought after collectors’ items. Relentless touring and recording have turned LUCIFER into an explosive live beast and a reliable source of timeless rock and roll. LUCIFER wasted no time and used the pandemic to record yet another long player that rings in a new chapter and dives even further into the grande realms of colossal old fashioned rock, with a severe morbid twist. For this opus they entered guitarist Linus Björklund’s Studio Ryssviken for an even more heart pounding drum sound while continuing their work at The Honk Palace.
Synonymous with the giant names of rock and in the same breath, rarely does a band stand on the shoulders of the greats so proudly and more justified. Dead Lord should find their home in any self-respecting rock-aficionados top tier collection, next to treasured vinyls of bands like Nazareth, Thin Lizzy, early ZZ Top and Free.
On Surrender’s narrative drive, front-man and singer Hakim says: “We’re sticking to the old way of looking at the world through hopeless glasses. A bit of heart break and a reflection of the times we live in. Trying to channel what’s wrong with the world and ourselves into a snappy upbeat rock record. Rock now, cry later.”
Radio-ready, melodious jewels of classic rock that swagger with sophistication and heart, kick back and let Dead Lord pour their solid gold vibrations out of your speakers and transform your laptop or headphones into a blaring full-stack of tweed tones and sweet analogue warmth. Face-melting vintage amplifiers cooking on max, and a sophisticated retro-chic finesse that will twin-guitar you into a frenzy, Surrender is an album to submit to.
Not long after, in June 2016, their live recorded DIY Debut-Album ‚Temple without Walls‘ was released and gained a great international reception from listeners, artists and bloggers, resulting in fruitful collaborations around the globe. Having played dozens of concerts with international headliners like Asteroid, Elder and Red Fang, the band provides powerful performances that lure in the audiences deeply through the surreal worlds they create.
Due to the Covid 19 situation, we kindly ask you to accept the following rules and guidelines:
> a maximum of 200 tickets will be sold > FIRST COME, FIRST SERVE if you want to sit up front or sit in a group, make sure to be there early > the show will be over at 22.00 > unfortunately, you will have to wear a mask, when not seated > there will be a bar with plenty of drinks, but it´s outside > please keep a distance of 1 metre > due to changes in the official handling with the pandemic, these guidelines and rules could be changed in the future. > please be respectful to staff, artists and each other. this situation sucks for everyone, so let´s be nice to each other!
Savanah is an austrian Stoner Rock Trio from Graz, formed in 2014.
They suppported bands like Colour Haze, Karma to Burn, Rotor, Black Cobra, Seven That Spells, Black Rainbows and Acid King.
The band takes influences from Doom, Desert and Psychedelic Rock to create their unique sound, once described as aggressive Stoner with a deafening bass and powerful riffs. Energetic Live-Performances are part of the bands character and attitude.
That the inspiration for the name Ozymandias was actually drawn from the TV-series “Breaking Bad”, when Walter White recites the thusly named poem by Shelley – pah! Education from TV is still education. If you fuse various styles of metal into your own sound, if you aren’t scared of heavy old-fashioned hard rock, you’re not that busy reading …
Rather scream until your voice fails and then batter the guitar strings! That led to nine songs that you will be hard pressed to forget. You don’t think so? Listen to this!