Alle Veranstaltungen sind aufgrund der Covid-19-Situation per Regierungserlass (nach § 15 Epidemiegesetz) bis 3.4.2020 abgesagt/verschoben!
Genauere Informationen bezüglich Nachholtermin, Tickets etc. findet Ihr in der jeweiligen Veranstaltung.
Bitte um etwas Geduld und danke für euer Verständnis!
Due to the current Covid-19 situation all events are cancelled/postponed until April 3rd 2020 by official government order (§ 15 Epidemiegesetz). For further information regarding tickets, new dates etc., please look into the concert you‘re interested in. Please be patient and thanks for understanding!
“Russian Circles have made great use of post-rock most familiar’s dynamic tricks loud and quiet; stop and start, swell and subside. But they’ve never had qualms about splicing elements of everything from metal and noise-rock to krautrock and post-hardcore into their darkly dramatic, instrumental compositions.” Pitchfork
There are few things one can be sure of these days, though one truism that remains is that Russian Circles will continue to reign as one of instrumental music’s supreme champions.
Blood Year, their seventh full length album, is less a musical exploration and more a statement of authority, lest there be any doubt that Russian Circles remain a force to be reckoned with on the stage and in the studio. The Chicago trio have always explored the dynamics of volume and timbre, with their albums often vacillating between caustic attacks and blissful respites.
Russian Circles returned to the studio with Kurt Ballou to record Blood Year, but this time they tracked it in Chicago at Steve Albini’s world-famous Electrical Audio. From guitarist Mike Sullivan’s riff-fueled assaults, to Dave Turncrantz’s war machine rack and floor toms and Brian Cook’s meat grinding bass lines, the sound of Blood Year is that of a band unafraid to flaunt their hard-earned prowess. Sullivan, Turncrantz, and Cook made a conscious effort to approach the songs on Blood Year with the same organic feel of a live show.
In an age where rock records are often built on a computerized grid, Russian Circles chose to track the foundations of the songs together in one room as complete takes without click tracks. The human pulse and unmetered energy is woven throughout Blood Year, a presence that can be felt with each bone-rattling minute.
15 years into their career, Torche have established themselves as a cornerstone of American heavy rock. Their highly anticipated new album, Admission, sees the band expanding on the themes and songwriting prowess that have always reverberated with music fans throughout their critically acclaimed discography.
Everything about Admission feels like an elevation. Torche’s guitar work is loaded with powerful, refreshing riffing and an array of profound textures, proving to be more versatile and crushing than ever before. The band’s unforgettable vocal harmonies are met with hook-driven, pop sensibilities that propel the music to new heights.
Tracks such as “Slide”, “Times Missing”, and the monumental title track see Torche hone in on these very elements to create one of 2019’s most captivating albums. Admission is a triumph, as it launches Torche forward into the next chapter of their already inimitable career.
Arena Vienna / “Big Hall” / adv 25 € / 19.00h