2.5. NEBULA / DIAMOND SKULL


L.A. power trio Nebula, whose cosmic cocktail of heavy riffs, electric blues and psychedelic space rock has earned the band international (and, dare we say, universal) acclaim have returned.


The great swirling, electrical ball of dynamism and potential known as Nebula formed in the mythical abyss of Los Angeles in 1997. In its current incarnation the band is comprised of Eddie Glass (Guitar/Vocals), Rob Oswald (Drums) and Tom Davies (Bass/Vocals).

Nebula creates pure guitar-driven, conscious expanding rock for the 21st century.

They are a culmination of their rock forbearers such as Jimi Hendrix, MC5, The Stooges and Mudhoney turned up a notch, taken to the next level and blasting through space. Nebula spread their gospel through their music and what they are preaching will leave the congregation on the floor.


Combining the combustibility of the sun with the mysticism of the moon, no matter your preferred definition,  Nebula’s reputation as one of rock’s brightest stars – in this galaxy or any other- is a force to be reckoned with.


atomicritual.com


Diamond Skull formed in Vienna, Austria, takes inspiration from Classic Rock, Stoner and Psychedelic, crafting a sound that is equally straight forward, dark and hypnotic.

Their debut single „Cocaine“ was released  on the 14th of February 2018, followed by their first full length album „Sleepless“, which comes out on April 15th 2018 on Electric Fire Records.



diamondskull.bandcamp.com
electricfirerecords.bandcamp.com

Arena Vienna / small hall / adv 18 € / doors 22 € / 20.00h

 

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30.04. HORISONT / DEAD LORD


Formed in 2006, HORISONT have spent the last decade establishing themselves within the Scandinavian retro-rock revival scene, along with peers such as Witchcraft, Graveyard etc, thus creating a sound that takes the foundations of the movement while injecting hearty doses of boogie blues, infusing prog complexities and finishing it all off with that good ole NWOBHM swagger!


After releasing their fourth full length album entitled Odyssey in late 2015, HORISONT completed a 6 week tour across Europe with Kadavar along with their new label mates The Shrine, which helped gain further attention from their new label Century Media.

The band comments: “We are super excited to be signing with the mighty and highly acclaimed Century Media and look very much forward to be working together. Right now we are in the most creative era of this bands existence and this will spill right over into the new album we are currently working on. The first taster off the new stuff will hit the streets by the fall and we’re pretty sure it will electrocute your soul. In the meantime – see you on the road!”


Fast forward a couple months and HORISONT´s most refined work, their fifth full length album “About Time”, a tour de force of prog dynamics, psychedelia and twin lead assaults all led by a vocal performance of masterful proportions, is praised by rockers, headbangers and metalheads all over the globe.

Jens Prueter, head of A&R Century Media Europe, comments: “I first saw HORISONT at the Rock Hard Festival in 2013 where they turned the amphitheater into a sea of head banging and beer raising. Seeing them again last year, I was impressed how they took their retro influences and progressed into a league of their own. These guys are as tight as their trousers. Looking forward to join their journey! Thanks to all of the guys and the equally amazing Peter from Crusher Records who discovered them first and is still the captain of the ship!”


www.horisontmusic.com


Swedish hard rockers Dead Lord were clearly born too late. Formed in 2012 in Stockholm, Sweden, members Hakim Krim (vocals/guitars), Olle Hedenström (guitars), Martin Nordin (bass) and Adam Lindmark (drums) are clearly more at home with 1976 (the year Thin Lizzy’s Jailbreak hit stores) than they are with 2017. As time machines don’t exist, however, the members are stuck in the present, where they decided to form the hardest working, hardest sounding rock band since The Hellacopters took off with Grande Rock at the turn of the millennium. With three albums to the wind—the band’s newest In Ignorance We Trust hits stores worldwide in late August—Dead Lord aren’t hoping you’ll join them, they’re demanding you join them. Riff by riff. Hook by hook. Just don’t call their brand of rock retro.

“It’s timeless, not retro,” Dead Lord’s Hakim Krim asserts. “Instead, it is pretty much all the modern rock bands that sound dated. I guess something happened during the ‘80s and onward. People had all sorts of recording tricks at hand, which led much music to sound very dated. Different effects and tricks are usually a lot of fun when they’re new, but tend to sound very dated after a decade or two. Not applying any of the modern mega compressors, expanders or other macky mack, make things sound more—I hate to use the word but here we go—true. More honest, I would say. Not retro. It just sounds more like the way it actually sounds live. The modern way of glazing everything in stupidity is not really what we’re after. Same way man buns are stupid, so is the modern rock sound.”

As with man buns and murses so too with ultra-slick studio tricks and obscenely-expensive mastering jobs. They’re just not in the cards for Dead Lord. The Swedes prefer to rock hard the honest way, where riffs hook, vocal lines stick, and steady rhythms pound the floor. There is no pretense in Dead Lord’s denim ‘n’ leather swagger. There are no parlor tricks to Dead Lord’s sound. Like Zeppelin, Metallica, and, of course, ABBA—all influences to the Swedes—the music does the talking. It’s raw, unbridled, and ready for action. No wonder Krim had little trouble describing Dead Lord’s sound.

“[Our sound is a] mind-blowing, face-melting, awe-inspiring, jaw-dropping, twin-guitar infused smart-rock extravaganza,” laughs the frontman.

Their new album, In Ignorance We Trust, naturally picks up where 2015’s lauded Heads Held High left off.

“We went a bit broader music-wise,” Krim reveals. “Part from some of our heaviest tunes, this album also has some of our softest and weirdest tunes so far. That’s what you do on the third album, right? [So, we] bring out the harmonica and jaw harp.”


Unlike Heads Held High, which was recorded locally in Sweden between David Castillo’s Studio Gröndahl and Nicke Andersson’s The Honk Palace, In Ignorance We Trust thrust the Swedes into the heart of Madrid, Spain, where they were enlodged for 10 days at Cuervo Recording Service. As a fully analog or digital studio, it’s pretty obvious which option Dead Lord and long-time producer Ola Ersfjord picked. They wanted the hiss of tape, the warmth of a manual edit, and all the hassle that comes with it.

www.deadlord.com

Arena Vienna / Dreiraum / adv 14 € / 20.00h

29.4. 1000MODS / SPOTLIGHTS / COJONES

1000mods is a psychedelic/heavy rock band from Chiliomodi, Greece. They were formed in the summer of 2006, and since then they have played over hundreds of live shows, sharing the stage with bands like The Black Keys, The Black Angels, Graveyard, Brant Bjork, Colour Haze and many more. They are known for their commitment to vintage equipment, thick and heavy analog sound and remarkably passionate stage performances.


In October 2010, the almighty Billy Anderson visited Greece in order to produce the band’s debut album, while Malleus Rock Art Lab took care of the artwork. “Super Van Vacation” was born. In order to promote their debut album, they played 40 shows in 15 countries around Europe, including festivals such as Rockwave festival, B’estfest and Lake on Fire.

After two successful European tours, the band was ready to get down to work again. Their experiences and growth paved the way for their upcoming album, “Vultures” which was released on the 30th of May 2014. Two European tours followed with a massive two-month tour on October/November 2014 and a tour supporting The Atomic Bitchwax during May 2015.


The time has come for 1000mods to get their effort to the next level. “Repeated exposure to…” was released on the 26th of September 2016, being their best album to date as well as an inspirational mixture of all that’s heavy in the glorious 70’s and the 90’s heavy rock movement. Having been recorded with hi-end outboard equipment in a non-stop 24/7 procedure, produced by both the band and sound engineer George Leodis and mastered by living legend Brad Boatright (the audio mastering engineer of Sleep’s “Dopesmoker”) “Repeated Exposure to…” sounds thick, beefy and tight, as a modern heavy rock album must sound.

Not much later, the band departed for a 27-date European Tour with Monkey3 and Moaning Cities, participating in leading festivals such as Up in Smoke Indoor Festival In Z7, Desertfest Belgium, Desertfest Athens and Keep it Low Festival. The Greece/Cyprus leg of the tour followed, playing in 12 different cities with their big gig in Athens in January 2017 being Sold Out with more than 2700 people attending!

Their 2017 “Repeated and Exposed to” tour features a total of 42 live dates in 15 European countries, including –once again- appearances in acknowledged European festivals such as Desertfest London, Desertfest Berlin, Under the Black Moon Festival in Munich and Riff Ritual Fest in Barcelona. The tour was a big success for the band with noumerous Sold Out shows accross Europe.


1000mods.bandcamp.com

Things got started back in 2006 when four guys from Zagreb went to a rehearsal place to rock, down tuned their guitars, turned up the volume on their amps, unaware that they would soon become a band known as COJONES. By the end of 2007 Sonic Doom Records made its first release, a split album titled „Cojones & Umor split LP“. After the Mammoth March tour in 2008 Cojones started recording their first LP titled Sunrise which was released DIY again through Sonic Doom Records in 2009. These guys played numerous gigs throughout Europe where they shared the stage with many great bands and played at Stoned from the Underground festival 2012 in Erfurt.

BEND TO TRANSCEND and was finished and released completely DIY in the summer of 2012 as a vinyl only release and digital download, with all the merchandise surrounding the album handmade and printed by the band. With the album finished, the van full of equipment and a big box of merchandise, Cojones are once more ready to set sail on a fantastic voyage through the European deserts, mountains of the Alps, squat clubs, long nights, highway lane blues, vegan meals, smoke and no rearview mirrors, old and dear friends, kicker spielen, drinking beer, playing music every day and all that rock`n`roll madness.

So where are they now? Legend has it that if you listen real close (or just turn your Bandcamp player up a bit) you can still hear them playing some more…


music.cojonesband.com

Spotlights is the Brooklyn-based married couple of Mario and Sarah Quintero.

In Spotlights, the Quinteros summon a supreme sound, equally heavy and dreamy. A tar-pit sludge-rock foundation is blanketed by layers of shimmering shoegaze. Their debut full length TIDALS was released on Crowquill Records in the spring of 2016 as a follow up to the synth laden, doom-pop EP, Demonstration. Tidals’ songs rock hard and memorably, bringing to mind hints of bands, from Failure to My Bloody Valentine to Godflesh to Smashing Pumpkins and beyond.


Spotlights was handpicked by Deftones to support the band on three weeks of its summer U.S. tour in August of 2016. Select dates included support from 90’s post-hardcore, greats, Refused. They quickly followed up with a second national run in September with If These Trees Could Talk


When it came time to record the the follow up full length to TIDALS, the Quinteros didn’t have to look far to find the perfect producer. “Choosing to work with Aaron [Harris of Isis] on our new record was a no brainer for us. We get along great and he completely understands where we are coming from musically and knows just how to capture that.” says Mario. Sarah adds “Plus, he’s an incredible drummer and we tricked him into playing on four of the songs!”. The three of them spent a week in Los Angeles at Palmquist Studios, putting together one of the most dynamic, and emotive collection of songs to date.

The new album, SEISMIC was released on Ipecac Recordings on October 6th 2017, flowing a massive 12 week North American tour with Melvins.

spotlights.bandcamp.com

Arena Vienna / small hall / adv 15 €  / 20.00h

24.4. THE BODY / WEEDEATER Co Headline Show


With each release, the duo of Lee Buford and Chip King continue to defy the constraints of what it means to be a “heavy” band, seamlessly combining composition or production approaches from hip hop, pop, classical, as well as rock and electronica resulting in a rich and utterly singular sound.

Their ambitious creativity shapes their bleak worldview into propulsive, affecting, and even danceable music often drenched in distortion. On I Have Fought Against It, But I Can’t Any Longer The Body challenged themselves again by turning their compositional approach on its head, choosing to build the record on their own samples rather than recording the basic tracks of drums and guitars and processing those. The results carry the listener towards the brink of emotional and musical extremes. I Have Fought Against It… conjures the sublime from an unexpected and incomparable variety of sounds.

The Body are known for their intense, abrasive live shows, whose waves of dissonance create an abiding dread or an overwhelming sense of terror. They create a volume of sound almost unfathomable from a duo and are unaffected by instrument choice: guitar and drums, or keyboard and synthesizers


For The Body, any source of inspiration is fair game to achieve their distinct atmosphere of unbearable dread, pain, and sadness. “Partly alive” places rolling drum figures, commonly found in pop, and transforms them with a backdrop of horns, skittering synthetic hi hats, and pitched feedback. The oppressive groove of “an urn” pulls beat arrangement and melodic ideas from disparate electronic influences.

thebody.bandcamp.com

Syrupy slow riffs are buoyed by canyon-deep bass and some of the hardest-hitting drumming since Keith Moon.
At its founding, Weedeater  rose like a doobie phoenix out of the ashes of BUZZOV•EN. When the cult sludge act called it a day, bass player Dave “Dixie” Collins teamed up with guitarist Dave “Shep” Shepherd and founded WEEDEATER in the harbor town of Wilmington about the year 1998. Their crushing and massive first full-length ‘…and Justice for Y’all’ (2001) created an immediate buzz, while critics were struggling to put a tag on their sound.


Nearly everybody agreed that stoner rock, doom, sludge and some crusty elements were part of the mix, which the band simply calls “weed metal”. The debut was produced by renowned engineer Billy Anderson (EYEHATEGOD, NEUROSIS) as well as sophomore album ‘Sixteen Tons’ (2002). WEEDEATER went out to perform live with CORROSION OF CONFORMITY and ALABAMA THUNDERPUSSY among others.

After some detours of Dixie Dave, who played shortly with BONGZILLA and SOURVEIN, third album ‘God Luck and Good Speed’ hit the world in 2007 and shifted the band’s focus slightly towards the stoner side.





Their fourth full-length ‘Jason… the Dragon’ got delayed when guitarist Shep lost a toe due to an incident with his favourite shotgun. When the sludge driven album finally came out in 2011, shows in the US and Europe cemented the band’s reputation as a fierce live entity. After signing to Season of Mist, WEEDEATER reissued their full back-catalogue on their new label. Yet the Bible Belt state of North Carolina, USA remains a fertile ground for hemp and stoner rock.

www.weedmetal.com

Arena Vienna / Dreiraum  / adv 16 € / 20.00h

 

 

26.3. UFOMAMMUT / PROTOTYPER


Ufomammut is a power trio formed  in Italy in 1999 by Poia, Urlo and Vita, a lineup that has remained stable since.

The trio have developed a sound characterised by lengthy songs centered on repeated heavy riffs coupled with droning vocals and the use of sound effects and synths.


8 is the Ufomammut’s 8th album, comprised of 8 tracks that flow into each other without interruption.

This flow can also be seen when you tip 8 horizontally, thus it morphs into the leniscate from algebraic geometry – ∞ – a plane curve that meets at central point – or more commonly known as the infinity symbol.

A continuous stream of movement reflective of the uninterrupted nature of the album but also the continued togetherness of the essential elements of the band – Urlo, Poia and Vita – since the beginning of the band’s history in 1999. ∞ tipped vertically sees us return to the number 8.

8 is a continuous flux of music, a singular entity, which can be defined in micro measurements by its 8 satellite songs.

Each track expands upon the preceding song, unfolding into an exceedingly dense and malevolent journey, resulting in this being Ufomammut’s most extreme venture yet, with no permittance for breathing space in the 48 minutes.


Ufomammut’s status as one of the most potent, powerful and artistic contemporary doom artists in existence continues to captivate the masses, and the band’s worldwide grasp grows wider with each release.

Ufomammut’s live show is supported by the internationally acclaimed video and graphic art of Malleus, a rock artists’ collective of which Poia and Urlo form a part, who conjure the entirety of Ufomammut’s visual impact.





www.ufomammut.com


Right from the beginning, abut 5 yeras ago,  Prototyper did their own thing, without aiming for any particular genre … just with one goal in mind: to blow your heads off with big guitar riffs, mighty drums, thundering bass and gnarly vocals on top of it all. Keeping an eye on the dynamics, they may also include some calmer and moody moments for good measure, if a song needs just that.If you must put a label on it … let’s call it … Rock. It’s raw, heavy, loud and sleazy … everything you want in trusty old Rock’n’Roll, right?

2017 saw the release of Prototyper´s latest EP „Wounds“.


www.prototyper.bandcamp.com

Arena Vienna / small hall / adv 15 € / 20.00h

 

15.3. FU MANCHU

Fu Manchu originally formed in 1985 as a hardcore punk band called Virulence.
In 1990 they changed their name to Fu Manchu. Soon after they released the “Kept Between Trees” 7 inch single on Slap A Ham Records. McCaughey was replaced by Mark Abshire. Chivens also left the band around this time for unknown reasons. Rather than search for a new vocalist, Scott Hill added lead vocalist to his guitar duties. To compensate, Scott Votaw was recruited as lead guitarist. In 1992, Fu Manchu released three 7 inch singles: “Senioritis,” “Pick Up Summer,” and “Don’t Bother Knockin’ (If This Vans Rockin’)”. In 1993, Votaw left the band and was replaced by lead guitarist Eddie Glass, who had previously played drums in the band Olivelawn.

Fu Manchu’s first album, No One Rides for Free (1994), was released by Bong Load Custom Records, an independent label.


Abshire left Fu Manchu before they recorded their second album, Daredevil, in 1995. He was replaced by Brad Davis. The band promoted Daredevil with extensive touring throughout the USA and Canada, and reached a wider audience thanks to an opening slot with Monster Magnet, who at the time were the commercial darlings of the stoner rock genre.


Romano and Glass left shortly after the release of Fu Manchu’s third album, In Search Of… (1996), citing personal and musical differences with Hill. They were replaced by Brant Bjork and Bob Balch, respectively. Glass, Romano and Abshire soon regrouped to form Nebula, a power trio that took the jam-influenced side of Fu Manchu and expanded on it. Members of Nebula have commented that “we’re all family” to fans wearing Fu Manchu shirts at their concerts.

Fu Manchu went on to release several successful albums and reinforce their reputation as a powerful live act. The band had gained this reputation over the years due to their performance when touring with notable bands such as Kyuss, Monster Magnet, Marilyn Manson, Clutch, Corrosion of Conformity, White Zombie, Sevendust, and P.O.D., among others.






Brant Bjork left the band after their 2001 release California Crossing to pursue a solo career and was replaced by former Sunshine and Smile drummer Scott Reeder (often confused with bassist Scott Reeder, of Kyuss, Unida, and Goatsnake fame). In 2004, Fu Manchu released their 8th album, Start The Machine.

Fu Manchu’s ninth album is called We Must Obey which was released on the 19th February 2007. The band has spent most of 2007 and 2008 on tour, playing several shows in North America and Europe.

In February 2008, the track “Mongoose” (from the California Crossing album) was featured in a Super Bowl ad for the Toyota Sequoia.

Their tenth album Signs of Infinite Power was released on October 19, 2009 in Europe and October 20 in North America. Gigantois was released in 2014.


Early 2018 saw the release of their  12th full enght album and definite rteurn to form, Clone Of The Universe.

fumanchuband.bandcamp.com

Arena Vienna / big hall / adv 22 € / 19.00h

 

6.3. MOTORPSYCHO


Motorpsycho are a highly prolific band from Norway. Since the late 80s they have eluded classification while blending progressive/psychedelic, grunge, metal, jazz and indie influences into a sound all their own. This constant evolution has been documented through countless ambitious albums and EPs for nearly three decades.

December 2016, a new recruit had entered the MP fold. Tomas Järmyr is a young graduate from the Trondheim Jazz Conservatory, and a swedish 8 year resident of Trondheim. A member of many band constellations, most famous amongst which is probably Italian noise band Zu, Tomas brings new energy and a slightly different focus to the MP drum seat. Younger than the others, his influences are distinctly more modern but his style is versatile and his style already fits in well in the psychoverse.

This new blood has made its mark already: in March the new band ventured to California to record their new opus. Recorded both in White Buffalo studios in L.A. and at Rancho De La Luna in Joshua Tree, “The Tower” will be the first music released by this new look Motorpsycho. Lyrically primarily concerned with the political uphevals and global, seemingly violent and ‘wrong’, changes for the worse,  musically it is a good old fashioned double album that certainly exhibits the versatility of this new band. It is undoubtedly a Motorpsycho album ‘in the tradition’, but in addition to proving that the band still can deliver in their usual distinctive way, it also shows off new possible musical directions the band might explore in the future. Time will show.

motorpsycho.no

Arena Vienna / small hall / adv 20 € / 20.00h